

Logline:
A young woman faces her deepest fears when stalked in the night by a seemingly unstoppable force of nature as she loses her grip on reality - and perhaps more.
Synopsis:
Heather, an alternative punk with a rebellious attitude, is being stalked through the night by a being of pure cosmic dread - one Fred Krueger. As she fights for her life against a thing she can never understand or begin to grasp, Krueger takes her throughout a series of stimuli to evoke her deepest fears on a primal level, all the while seemingly building to something bigger - though Heather can't begin to surmise what that might be. How much of the nightmare will spill out into Heather's reality? That is for Krueger to know, and for her to find out.
Director's Statement:
Wes Craven’s original A Nightmare on Elm Street is my favorite horror film of all time. His penchant for fantasy and creativity has inspired me since I first saw the film at nine years old and has informed my own journey as a creative ever since. This short is a proof of concept for a feature-length script that I’ve already written for a character-driven, dramatic take on the franchise that I hope also carries in it the heart and sincerity of Craven’s original. In Stephen King’s On Writing, King suggests writing your story with one specific audience member in mind - somebody you’re writing the story for. For me, for this… that is Wes. Though I never had the privilege of knowing Wes personally, his passion and creativity and love for storytelling were always palpably present on the sleeves of his work. Though this short largely focuses on proving my capabilities and showcasing my style as a writer/director, I hope both this and the feature (which I hope to pitch someday) bring my own unique sensibilities to the Elm Street mythos while maintaining the spirit Craven imbued upon his original film. My aim is to create something unique and fantastic - something Wes would be proud of. This is my dream.
Credits
Writer/Director
Producer
Executive Producer
Associate Producers
Cast
Heather
Fred Krueger
Johnny
Faux Heathers
Camera Dept.
DP/Cam Op/
Key Grip/Gaffer
1st AC/Cam Op
BTS Photography
Special Effects Makeup Artist/
Coordinator
Special Effects Coordinators
Robert Fox
Brandon J. Larry
Robert Fox
Jesse Olszewski
Tony See
Austin Soboleski
"Morbid" Rob Burke
Melody West
Melody West
Jarod Gianoni
Robert Fox
Lana Blose
Tricia Harned
Yekaterina Kanazin
Jacob Naomi
Briar Lyle
Austin Soboleski
DeAngelo Dixon
Jacob Naomi
Patrick Brown
Tony See
Liam Dudas
Kristina Dabrowski
Kristina Dabrowski
Austin Soboleski
Production Designer
1st AD
Editor
Colorists
Pre-Production
Script Supervisor
Sound Dept.
Sound Mixer/Boom Op
Re-recording Mixer/Foley Artist/Sound Design/Composer
Costume Designers
Johnny Wardrobe Consultant
Scarf Maker
Production Dept.
Unit Production Manager
Production Assistants
Strapping Young Lads
Locations Managers/Coordinators
Hanna Rose Biebel
Jacob Newman
Robert Fox
Keyon Smith
Austin Soboleski
Lee D. Copeland
Tony See
Robert Fox
Robert Fox
Kristina Dabrowski
"Morbid" Rob Burke
Katherine Vernon
Tony See
Erik Brown
Patrick Brown
Liam Dudas
Jarod Gianoni
Jacob Naomi
Erik Brown
Patrick Brown
Liam Dudas
Jacob Naomi
Jacob Newman
Karen Brumagin
Robert Fox
Ryan Hoover
David Mitchell
Jacob Newman
Tony See
Jack Thayer
Angela Weaver
Drew Whiting

The evil is closer to Heather now than ever before.

Technical Specs
Country: United States of America
Runtime: 13 minutes
Aspect Ratio: 16:9
Type: Film
Color: Color
Sound: 2.0 Stereo
Language: English
Editing Software: DaVinci Resolve (Picture),
Reaper (Sound and Music)
Camera: Canon EOS R6 Mark II
Codex/Format: MPEG - 4; AAC, Apple ProRes 422 HQ
Heather is at the mercy of the thing called Krueger.

He's just standing there... menacingly.

Meet the Cast and Crew
Production Notes
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Despite having over 110 unique shots to complete over the course of less than 8 full shoot days, careful planning and strategic execution allowed the cast and crew to finish an hour early or more on all but one of their shoots.
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Due to the film's low budget and the support of the greater Erie community, all of the shoot locations were obtained for free.
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Every scene except for the one in the graveyard was shot during the day. Due to the blacked out windows, frequent breaks were required, especially in the bedroom, to allow cast and crew to escape the sweltering June heat.
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Freddy's mask, makeup, and glove accounted for over 1/5 of the entire budget for the project.
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Every one of the many lights utilized to illuminate the graveyard were run off of a single generator, with hundreds of feet of extension cords snaking through the wet grass.
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Other than the posters on the walls, all pieces of the bedroom's set design, including the orientation of the bed, removal of the TV, the night stand, clothes lying about, items on shelves, etc. were torn down and re-placed for every single shoot. Robert, the director, had to fill and empty his car with all of it before and after each bedroom shoot - even making multiple trips on the first day prior to call time.
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Even though sound was recorded for some of the scenes on set when available, Robert wanted more control in post. Thus, he personally re-recorded foley sounds, ADR, background ambience, and utilized sound libraries for every single sound throughout the entire film - except for one single on-set sound that was utilized in the final product.
Press Release
FOR IMMEDIATE RELEASE
814.897.6148 | RFOX1940@GMAIL.COM
The Nightmare Cometh Before the Dream: New Short "The Nightmare Reflection" Aims to Land Writer/Director Chance to Pitch Full-Length Feature
#NoDreamTooBig was the slogan for writer/director Robert Fox as he put together his plan for The Nightmare Reflection, a short proof-of-concept he says is meant to show off his directorial style in the hopes that he can be afforded the chance to pitch a new feature length film in the long-running A Nightmare on Elm Street franchise to the Craven Estate, who currently own the rights to the property. "I wanted to try my hand at offering something a little new to the franchise while maintaining the spirit of the original," says Fox, who started work on his feature script back in 2019.
The film first premiered in Erie, Pennsylvania - where the film was shot - at the 10/20 Collective to an audience of over 150 people. Organizing the event, Fox enlisted a few local punk and post-hardcore bands to provide live music prior to the screening. Now, the director's plan is to "get the film in front of as many folks as possible, rack up a few awards at festivals across the East Coast, and eventually campaign to pitch the feature for real." Fox says that through his MFA program at Full Sail University, he's met people with connections to Hollywood, and the Cravens specifically, but wants the short to thrive on its own merits before putting it in front of those people with the intent to get a pitch meeting.
Should the feature be picked up, Fox says he wants to get as many of his cast and crew back in various roles as he possibly can:
"So many incredibly talented people worked on this project for nothing more than crafty and lunch. They helped me make this happen on a very tight budget, and given how it turned out, I can't imagine what we could accomplish with a proper budget and the rights to the property. Every single person credited on this project is somebody I would absolutely want working with me again if we ever get the chance to do something big. Together, we can make it happen."
For more information on Robert Fox and The Nightmare Reflection, visit https://rfox1940.wixsite.com/robert-fox-creative.
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